To explain again about dispatchTransformedTouchEvent (), there are two kinds of codes: and. Simply understood, the former is to call ViewGroup's own onTouchEvent () to consume, while the latter distributes events to sub-views (on the interface) for processing. If the child view is a ViewGroup, the process of handling events by the child view is similar to that of the parent view, starting from the DispatchTouchEvent () of the ViewGroup; If the child View is not a ViewGroup, the DispatchTouchEvent () logic of the View is directly executed. However, there is no code in View's dispatchTouchEvent () to pass the event to the parent View for consumption. In fact, the consumption process event is not passed, but whether to call its own onTouchEvent () is determined according to the return value of the child View's dispatchTouchEvent () and some ViewGroup's own records. Well, the idea is provided here.A special animated adaptation of Sir Michael Morpurgo’s children’s book Mimi And The Mountain Dragon.Mimi And The Mountain Dragon is the story about a village that quakes in feature of the mighty Mountain Dragon. One winter, a shy little girl called Mimi finds a baby dragon asleep in her family woodshed. Mimi takes the perilous journey through the blizzard and darkness to return the baby dragon to her mother, whom all the villagers fear.Following an introduction by the award-winning writer himself, Sir Michael Morpurgo, the film is narrated throughout by an original score by Oscar-winning composer Rachel Portman performed by the BBC Philharmonic and featuring singers from the Hallé’s family of choirs. The animation is based on original drawings by Emily Gravett and has been adapted for the screen by novelist, poet and playwright Owen Sheers.Mimi And The Mountain Dragon was commissioned by Head of BBC Music TV Commissioning Jan Younghusband, for Charlotte Moore, Director of BBC Content. The project is also supported by Alice Webb, Director of BBC Children’s & Education. The Executive Producer is Leopard Picture’s Chief Creative Officer Kristian Smith, and Phil Chalk from Bafta Award-winning studio Factory.Katriya Ekthamrongworakul(Janie饰演)是Chuwit和Janthana的大女儿.Ekthamrongworakul家是经营宝石生意的并且在业界享有高度的盛誉.Katriya是个漂亮,有智有谋,勇往直前的人.她有个妹妹叫Jeeranan,她们俩无论个性与外形,都截然不同.尽管如此,她们的感情依然很好.张司业不要再推托了《最后的格格》主要讲了清朝末年，裕王府的云香格格和戏子温良玉相爱，二人私奔那一晚，正好隆裕太后宣布退位共和，被乱民冲散，云香为王府的仇人方天羽所救，良玉流落街头，二人九死一生，再重逢却因为天羽对云香的爱而几次分离，结果云香为了照顾发疯的母亲而堕落，良玉放弃好不容易得来的工作，一直相随，最后把云香拉出泥藻，没想到那一晚，天羽居然制造了一场阴谋，将良玉扔入河中，云香得知良玉已死，刺杀天羽，结果被抓进牢里成了死囚，大亨沈世豪一直喜欢云香，买通了狱官，以死囚换人，将她救出，这时云香发现自己怀了良玉的孩子，为了报答世豪的救命之恩，她成了他的二姨太，十八年后，良玉回来了，他摇身一变成为北京城最大的黑帮老大，前夫有情后夫有意，云香该如何抉择？而此时，云香的儿子沈梓康已经长大，不明身世的他成了巡捕房的大队长，他的目标就是抓到良玉，更加巧的是，梓康爱上了天羽的女儿语嫣，而叛逆的语嫣却一心喜欢比她大二十多岁的良玉，所有的爱、恨、情、仇在一刹那全部爆发了……26岁的夏冰本来还想再过几年单身生活，却因怀孕和男友步入婚姻殿堂。35岁的李木子是夏冰的老板，年轻时为工作奋斗错过了最佳的生育期，得知下属夏冰怀孕，原本不对劲的上下级关系变得越发紧张。李木子通过科学手段求子成功，整个人都变得温和了许多，她和夏冰也因共同的准妈妈身份成为朋友。夏冰不想因为怀孕破坏自己时尚靓丽的外形，天天因为穿衣吃饭等琐事跟丈夫婆婆闹矛盾。李木子则因太想要孩子积极配合家人和医生，及时进补后没过多久就变得体态臃肿。两位准妈妈在外形、心态等各方面形成强烈反差。两人共同经历了怀孕、生产、坐月子等一系列过程，在抚养孩子照顾家人的过程中承担起为人妻为人母的责任，随着孩子的长大，两人也逐渐成熟起来。The second scenario uses the proxy pattern, Among them, the myImage function is only responsible for doing one thing, creating IMG elements and adding them to the page. The loading picture is given to the proxy function ProxyImage to do. When the picture is loaded successfully, the proxy function ProxyImage will notify and execute the method of the myImage function. At the same time, when the proxy object is not needed in the future, we can directly call the method of the ontology object.
