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名模麦子在年轻时救了一女孩，不慎伤了膝盖，结束了职业生涯，转入幕后，用自己的经验培养了大批超级名模，她的严苛在业内赫赫有名，人送外号T台魔王，星光熠熠的T台，一场青春与梦想的模特秀砰然上演……这多叫人伤心呐。老太太急忙道：你做事娘当然放心了，就是你弟媳妇也是相信你这个姐姐的，要不也不能放心把蝉儿送来。南瓜等人都郁闷极了，没想到这么快就被认出来了，看来大苞谷真跟人家成亲了。Aban's dealings with various Japanese figures are even more brilliant. The Japanese in his works, Including Japanese Foreign Minister Yoyo Matsuoka, Minister to China Shigemitsu Mamoru, Consul General to Nanjing Sumomikiro, Commander-in-Chief of the Fleet in China Yanze, Japanese Minister-at-Large Kato, Commander of the South Fleet Iwamura Kiichi, Commander of Japan's Third Fleet Lieutenant General Hasegawa, Commander of the Shanghai Dispatch Force Ishiguro Matsui and his subordinate Colonel Hashimoto Shinichiro. He is especially concerned about Ishiguro Matsui, who is the primary responsible person for the Nanjing Massacre, and many details are rare in domestic publications. It is generally believed that Matsui and his 80 officers were recalled by Japan because of excessive negative reports on Japan after the Nanjing Massacre. After reading this book, it is known that the main reason is related to the sinking of the US ship Panai by Japanese planes in the Yangtze River. The report that dragged Ishiguro Matsui off the horse was published in the New York Times by Aban and caused a sensation. Aban also depicted a bunch of inferior Japanese characters, including cunning, loyalty, stupidity, shrewdness, aggressiveness, gentleness... no longer one thousand people, exaggeration and distortion.咲（サク）是《生命的石碑》活动的中心成员，在从当地的高中毕业的同时，为了实现成为舞者的梦想，来到东京已经1年半了。以影像作家为目标的他（翔太）也做好了，本打算迈出新的一步，但因为害怕被偏见的目光盯上，自己是受灾者，母亲至今下落不明……无法对翔太坦白，感到了生存的艰难。咲为了再次与故乡对面，决定和随身携带无人照相机的翔太一起前往女川旅行。“登上这条路避难”“在这个体育馆度过了睡不着的夜晚”……再次追寻“那一天”，咲决定面对自己的原点。于是，在和城里的人们一起登上石碑的避难训练中，我确信“生命的联系”。